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DTSTART:20260605T120000Z
DTEND:20260605T132000Z
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SUMMARY:A Brief History of Song: Cork PianoFest 2026
DESCRIPTION:Music by Boulanger\, Faur \, Grieg\, Errol Garner and Paul McCartney\n\nGabriela Mayer\, Mary Hegarty\, Donal McHugh and Scott Flanigan\n\nThe final programme takes us to the world of song\, from folksong arrangements from Grieg's native Norway\, to the art songs of the Parisian salons of Faur  and Nadia Boulanger\, the Great American Songbook of jazz standards and a popular classic by The Beatles. The endless variety to which the song form lends itself\, with or without words\, is constantly evolving but remains one of the most direct and indelible forms of musical expression.\n\nProgramme\n\nNadia Boulanger: Soleils Couchants\, Cantique Versailles and Chanson\n\nGabriel Faur : Songs\n\nMary Hegarty (soprano) & Gabriela Mayer (piano)\n\nEdvard Grieg: 19 Norwegian Folk Songs\, Opus 66 (selection)\n\nI. Cattle call\n\nIV. Siri Dale song\n\nV. It was in my youth\n\nVI. Call and lullaby\n\nXIII. A little grey Man\n\nXIV. In Ola valley\, in Ola lake\n\nXVI. How little Astrid was\n\nXVIII. I wander in a thousand thoughts\n\nXIX. Gjendine's lullaby\n\nDonal McHugh\n\nErrol Garner: Misty\n\nPaul McCartney: Blackbird\n\nScott Flanigan (jazz piano)\n\nAbout the Musicians\n\nDr Gabriela Mayer is a pianist\, teacher\, and researcher with a passion for connecting interdisciplinary insights. Her fascination with the relationship between language and music\, and the inherent meaning behind expressive playing led to a journey of discovery and performance research\, culminating in her recently published book The Art of the Unspoken (Peter Lang Group\, Oxford\, 2023). Since 2019\, a creative dialogue with theatre artist Regina Crowley opened new pathways for sharing her musical performances. The resulting interdisciplinary projects encompassed the creation of original piano music interwoven with spoken text\, in sound installation and film.\n\nGabriela studied in Berlin as a Fulbright Graduate Fellow and completed a doctorate at the University of Maryland. She has given concerts and masterclasses at European conservatoires and presentations at AEC conferences and continues to be active as a performer\, collaborating with other musicians.\n\nHer students have secured professional careers in a variety of settings. She promotes an international outlook and engagement for students across disciplines. She was involved in the Innovative Conservatoire Seminars for many years as well as an international project on performance training with colleagues from Finland\, the Netherlands\, Germany and Australia. She is currently the Head of Department of Keyboard Studies at the MTU Cork School of Music.\n\nSoprano Mary Hegarty's early studies at the Cork School of Music led to a place at the National Opera Studio in London and masterclasses with Sir Thomas Allen\, Dame Elisabeth Schwarzkopf and Sir Peter Pears. She represented Ireland at the Cardiff Singer of the World Competition and subsequently built an impressive career throughout Europe on the operatic stage\, concert platform and in regular broadcasts with RTE and the BBC.\n\nSince making her professional debut at the Royal Opera House\, Covent Garden\, under the baton of Bernard Haitink\, Mary has sung principal roles with English National Opera\, Opera North\, Welsh National Opera\, Opera Northern Ireland\, City of Birmingham Touring Opera\, Glyndebourne Festival Opera\, Garsington Opera\, D'Oyly Carte\, Reisopera\, La Monnaie\, Vlaamse Opera\, Adelaide Festival\, Opera Zuid\, Athens Festival\, Bilbao Opera\, Opera Theatre Company\, Castleward Opera\, the Dublin Grand Opera Society and R&R Musical Society. Oratorio and concert appearances include the BBC Proms\, many performances of Messiah\, Handel's Creation\, Carmina Burana\, Maritana\, La Boh me (at the RTE Proms)\, and the Irish premieres of Mahler's Eighth Symphony and Paul McCartney's Liverpool Oratorio.\n\nShe has graced the stages of the Royal Albert Hall\, Royal Festival Hall\, Barbican\, Birmingham Symphony Hall\, National Concert Hall and others\, with the RTE National Symphony Orchestra and Concert Orchestras\, BBC Symphony Orchestra\, BBC Concert Orchestra\, Hall  Orchestra\, London Symphony Orchestra\, Philharmonia\, Ulster Orchestra\, the Orchestre Nationale de Belgique\, and the Black Dyke Mills Band.\n\nMary Hegarty's recordings include her solo album A Voice is Calling\, and CD recordings of Patience and Orpheus in the Underworld with the D'Oyly Carte (Sony)\, also Silver Tassie (ENO) and Carmen (Chandos) with Glyndebourne Opera. Mary played Gilda in Woody Allen's movie Matchpoint and appeared in special BBC TV broadcasts and DVD recordings of Bernstein's Trouble in Tahiti and Rachel Portman's The Little Prince.\n\nSince returning to live in Cork\, Mary has been a lecturer in vocal studies at the MTU Cork School of Music\; her students have performed at English National Opera\, Garsington Opera\, the BBC Proms\, and with Celtic Women. One of her students featured in the final stages of BBC TV series The Voice UK   mentored by Sir Tom Jones. Mary was recently the voice and language coach for a British Youth Opera production of Riders to the Sea. She has also developed duo partnerships for recital work with Ciara Moroney and Gabriela Mayer\, specialising in German and French song.\n\nMary was nominated for an Opera Bear Award for her portrayal of Miss Wordsworth in Opera North's acclaimed production of Britten's Albert Herring\, repeating the role at Buxton Festival Opera. Recent projects have included concerts of the Jazz Songbook with her own quintet and a large-scale Christmas show\, Mary Hegarty's Big-Band Christmas. She has also developed a solo musical theatre cabaret with Cathal Synnott\, alongside their work on the new BA in Musical Theatre at MTUCSM.\n\nPianist Donal McHugh\, from Co. Clare\, Ireland\, graduated from the Royal Conservatoire of Scotland in 2014 (BMus Hons in performance) with tutors Norman Beedie and Graeme McNaught. He then spent four years freelancing as a musician in Glasgow   performing\, teaching and accompanying. As well as regular classical recitals (both solo and chamber music) he also gained a reputation playing with the many jazz big bands in the city. Donal has taken part in seminars on Grieg's music a number of times in Bergen\, Norway which included the opportunity to perform on Grieg's own piano in Troldhaugen. In 2020 he completed an MA in Music (piano performance) at the MTU Cork School of Music with tutors Michael McHale and Michael Joyce. Memorable performances were Beethoven's third piano concerto (string quintet arrangement) as well as a live-streamed solo concert featuring Berg and Schubert. Also a keen composer\, Donal has written works for solo piano and voice and piano as well as original jazz tunes and arrangements. He has been a member of the piano department staff of the MTU Cork School of Music since 2021.\n\nHailing from Belfast in Northern Ireland\, Scott Flanigan is one of the foremost keyboard players on the Irish jazz scene. He performs regularly across the United Kingdom\, Ireland\, France and Germany\, and has recently performed with Van Morrison\, the Ulster Orchestra\, Larry Coryell\, Jean Toussaint\, Jim Mullen and Linley Hamilton. As a leader\, Scott successfully tours his own contemporary piano trio\, as well as a hard-swinging organ quartet. He also runs the successful Scott's Jazz Club in East Belfast\, a weekly jazz club bringing the best in Irish jazz to local audiences.\n\nEqually at home in academia as well as the bandstand\, Scott received his BMus degree from Ulster University and his MMus in Jazz Performance from Dublin Institute of Technology. Scott has recently completed his Ph.D in Jazz Performance at Ulster University\, exploring and assimilating contemporary trends in jazz piano into his own playing.\n\nScott is also in demand as a teacher of jazz harmony\, improvisation and concert preparation\, lecturing in jazz piano at Cork School of Music and at Queens University Belfast\, alongside a busy teaching schedule both online and at home in Belfast.\n\n\n\n \n\nCork PianoFest 2026\n\nFollowing on from last year's Cork PianoFest\, we are delighted to present another three-concert series at Triskel Arts Centre as part of the 2026 festival. The concerts will feature performances from MTU Cork School of Music's students and lecturers\, celebrating the breadth and diversity of music-making in the Department of Keyboard Studies and encompassing solo performances\, vocal and instrumental collaborations\, and jazz improvisation.
X-ALT-DESC;FMTTYPE=text/html:<p><span style="font-size:14px\;"><span style="font-family:arial\;">Music by Boulanger\, Faur&eacute\;\, Grieg\, Errol Garner and Paul McCartney</span></span></p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;"><em>Gabriela Mayer\, Mary Hegarty\, Donal McHugh and Scott Flanigan</em></span></span></p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;">The final programme takes us to the world of song\, from folksong arrangements from Grieg&rsquo\;s native Norway\, to the art songs of the Parisian salons of Faur&eacute\; and Nadia Boulanger\, the Great American Songbook of jazz standards and a popular classic by The Beatles. The endless variety to which the song form lends itself\, with or without words\, is constantly evolving but remains one of the most direct and indelible forms of musical expression.</span></span></p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;">Programme</span></span></p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;">Nadia Boulanger: Soleils Couchants\, Cantique Versailles and Chanson<br />\nGabriel Faur&eacute\;: Songs<br />\n<em>Mary Hegarty (soprano) &amp\; Gabriela Mayer (piano)</em></span></span></p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;">Edvard Grieg: 19 Norwegian Folk Songs\, Opus 66 (selection)<br />\nI. Cattle call<br />\nIV. Siri Dale song<br />\nV. It was in my youth<br />\nVI. Call and lullaby<br />\nXIII. A little grey Man<br />\nXIV. In Ola valley\, in Ola lake<br />\nXVI. How little Astrid was<br />\nXVIII. I wander in a thousand thoughts<br />\nXIX. Gjendine&rsquo\;s lullaby<br />\n<em>Donal McHugh</em></span></span></p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;">Errol Garner: Misty<br />\nPaul McCartney: Blackbird<br />\n<em>Scott Flanigan (jazz piano)</em></span></span></p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;">About the Musicians</span></span></p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;">Dr&nbsp\;Gabriela Mayer&nbsp\;is a pianist\, teacher\, and researcher with a passion for connecting interdisciplinary insights. Her fascination with the relationship between language and music\, and the inherent meaning behind expressive playing led to a journey of discovery and performance research\, culminating in her recently published book&nbsp\;<em>The Art of the Unspoken&nbsp\;</em>(Peter Lang Group\, Oxford\, 2023). Since 2019\, a creative dialogue with theatre artist Regina Crowley opened new pathways for sharing her musical performances. The resulting interdisciplinary projects encompassed the creation of original piano music interwoven with spoken text\, in sound installation and film.</span></span></p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;">Gabriela studied in Berlin as a Fulbright Graduate Fellow and completed a doctorate at the University of Maryland. She has given concerts and masterclasses at European conservatoires and presentations at AEC conferences and continues to be active as a performer\, collaborating with other musicians.</span></span></p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;">Her students have secured professional careers in a variety of settings. She promotes an international outlook and engagement for students across disciplines. She was involved in the Innovative Conservatoire Seminars for many years as well as an international project on performance training with colleagues from Finland\, the Netherlands\, Germany and Australia. She is currently the Head of Department of Keyboard Studies at the MTU Cork School of Music.</span></span></p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;">Soprano&nbsp\;Mary Hegarty&rsquo\;s early studies at the Cork School of Music led to a place at the National Opera Studio in London and masterclasses with Sir Thomas Allen\, Dame Elisabeth Schwarzkopf and Sir Peter Pears. She represented Ireland at the Cardiff Singer of the World Competition and subsequently built an impressive career throughout Europe on the operatic stage\, concert platform and in regular broadcasts with RTE and the BBC.</span></span></p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;">Since making her professional debut at the Royal Opera House\, Covent Garden\, under the baton of Bernard Haitink\, Mary has sung principal roles with English National Opera\, Opera North\, Welsh National Opera\, Opera Northern Ireland\, City of Birmingham Touring Opera\, Glyndebourne Festival Opera\, Garsington Opera\, D&rsquo\;Oyly Carte\, Reisopera\, La Monnaie\, Vlaamse Opera\, Adelaide Festival\, Opera Zuid\, Athens Festival\, Bilbao Opera\, Opera Theatre Company\, Castleward Opera\, the Dublin Grand Opera Society and R&amp\;R Musical Society. Oratorio and concert appearances include the BBC Proms\,&nbsp\;many performances of&nbsp\;<em>Messiah</em>\, Handel&rsquo\;s&nbsp\;<em>Creation</em>\,&nbsp\;<em>Carmina Burana</em>\,&nbsp\;<em>Maritana\, La Boh&egrave\;me&nbsp\;</em>(at the RTE Proms)\, and the Irish premieres of Mahler&rsquo\;s&nbsp\;<em>Eighth Symphony&nbsp\;</em>and Paul McCartney&rsquo\;s&nbsp\;<em>Liverpool Oratorio.</em></span></span></p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;">She has graced the stages of the Royal Albert Hall\, Royal Festival Hall\, Barbican\, Birmingham Symphony Hall\, National Concert Hall and others\, with the RTE National Symphony Orchestra and Concert Orchestras\, BBC Symphony Orchestra\, BBC Concert Orchestra\, Hall&eacute\; Orchestra\, London Symphony Orchestra\, Philharmonia\, Ulster Orchestra\, the Orchestre Nationale de Belgique\, and the Black Dyke Mills Band.</span></span></p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;">Mary Hegarty&rsquo\;s recordings include her solo album&nbsp\;<em>A Voice is Calling</em>\, and CD recordings of&nbsp\;<em>Patience&nbsp\;</em>and&nbsp\;<em>Orpheus in the Underworld&nbsp\;</em>with the D&rsquo\;Oyly Carte (Sony)\, also&nbsp\;<em>Silver Tassie&nbsp\;</em>(ENO) and&nbsp\;<em>Carmen&nbsp\;</em>(Chandos) with Glyndebourne Opera. Mary played Gilda in Woody Allen&rsquo\;s movie&nbsp\;<em>Matchpoint&nbsp\;</em>and appeared in special BBC TV broadcasts and DVD recordings of Bernstein&rsquo\;s&nbsp\;<em>Trouble in Tahiti&nbsp\;</em>and Rachel Portman&rsquo\;s&nbsp\;<em>The Little Prince</em>.</span></span></p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;">Since returning to live in Cork\, Mary has been a lecturer in vocal studies at the MTU Cork School of Music\; her students have performed at English National Opera\, Garsington Opera\, the BBC Proms\, and with Celtic Women.&nbsp\;One of her students featured in the final stages of BBC TV series&nbsp\;<em>The Voice</em>&nbsp\;UK&nbsp\;&ndash\;&nbsp\;mentored by Sir Tom Jones.&nbsp\;Mary was recently the voice and language coach for a British Youth Opera production of&nbsp\;<em>Riders to the Sea</em>. She has also developed duo partnerships for recital work with Ciara Moroney and Gabriela Mayer\, specialising in German and French song.</span></span></p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;">Mary was nominated for an Opera Bear Award for her portrayal of Miss Wordsworth in Opera North&rsquo\;s acclaimed production of Britten&rsquo\;s&nbsp\;<em>Albert Herring\,&nbsp\;</em>repeating the role at Buxton Festival Opera. Recent projects have included concerts of the Jazz Songbook with her own quintet and a large-scale Christmas show\, Mary Hegarty&rsquo\;s Big-Band Christmas.&nbsp\;She has also developed a solo musical theatre cabaret with Cathal Synnott\, alongside their work on the new BA in Musical Theatre at MTUCSM.</span></span></p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;">Pianist&nbsp\;Donal McHugh\, from Co. Clare\, Ireland\, graduated from the Royal Conservatoire of Scotland in 2014 (BMus Hons in performance) with tutors Norman Beedie and Graeme McNaught. He then spent four years freelancing as a musician in Glasgow &ndash\; performing\, teaching and accompanying. As well as regular classical recitals (both solo and chamber music) he also gained a reputation playing with the many jazz big bands in the city. Donal has taken part in seminars on Grieg&rsquo\;s music a number of times in Bergen\, Norway which included the opportunity to perform on Grieg&rsquo\;s own piano in Troldhaugen. In 2020 he completed an MA in Music (piano performance) at the MTU Cork School of Music with tutors Michael McHale and Michael Joyce. Memorable performances were Beethoven&rsquo\;s third piano concerto (string quintet arrangement) as well as a live-streamed solo concert featuring Berg and Schubert. Also a keen composer\, Donal has written works for solo piano and voice and piano as well as original jazz tunes and arrangements. He has been a member of the piano department staff of the MTU Cork School of Music since 2021.</span></span></p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;">Hailing from Belfast in Northern Ireland\, Scott Flanigan&nbsp\;is one of the foremost keyboard players on the Irish jazz scene. He performs regularly across the United Kingdom\, Ireland\, France and Germany\, and has recently performed with Van Morrison\, the Ulster Orchestra\, Larry Coryell\, Jean Toussaint\, Jim Mullen and Linley Hamilton. As a leader\, Scott successfully tours his own contemporary piano trio\, as well as a hard-swinging organ quartet. He also runs the successful Scott&rsquo\;s Jazz Club in East Belfast\, a weekly jazz club bringing the best in Irish jazz to local audiences.</span></span></p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;">Equally at home in academia as well as the bandstand\, Scott received his BMus degree from Ulster University and his MMus in Jazz Performance from Dublin Institute of Technology. Scott has recently completed his Ph.D in Jazz Performance at Ulster University\, exploring and assimilating contemporary trends in jazz piano into his own playing.</span></span></p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;">Scott is also in demand as a teacher of jazz harmony\, improvisation and concert preparation\, lecturing in jazz piano at Cork School of Music and at Queens University Belfast\, alongside a busy teaching schedule both online and at home in Belfast.</span></span><br />\n<br />\n&nbsp\;</p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;">Cork PianoFest 2026</span></span></p>\n\n<p><span style="font-size:14px\;"><span style="font-family:arial\;">Following on from last year&rsquo\;s Cork PianoFest\, we are delighted to present another three-concert series at Triskel Arts Centre as part of the 2026 festival. The concerts will feature performances from MTU Cork School of Music&rsquo\;s students and lecturers\, celebrating the breadth and diversity of music-making in the Department of Keyboard Studies and encompassing solo performances\, vocal and instrumental collaborations\, and jazz improvisation.</span></span></p>\n
LOCATION:Triskel Arts Centre\, Tobin Street\, Cork City
UID:e.2489.38040
SEQUENCE:3
DTSTAMP:20260505T123331Z
URL:https://chamber.corkchamber.ie/events/details/a-brief-history-of-song-cork-pianofest-2026-38040
END:VEVENT

END:VCALENDAR
